Tuesday, July 30, 2019

A Highlander Walks into a Bar


I’m delighted today to welcome author Laura Trentham to Thoughts in Progress to talk about her latest release, A HIGHLANDER WALKS INTO A BAR.

The timeless romance, soaring passion—and gorgeous men—of Scotland comes to modern-day America. And the rules of love will never be the same…

Isabel Buchanan is fiery, funny, and never at a loss for words. But she is struck speechless when her mother returns from a trip to Scotland with a six-foot-tall, very handsome souvenir. Izzy’s mother is so infatuated by the fellow that Izzy has to plan their annual Highland Games all by herself. Well, not completely by herself. The Highlander’s strapping young nephew has come looking for his uncle…

          Alasdair Blackmoor has never seen a place as friendly as this small Georgia town—or a girl as brilliant and beguiling as Izzy. Instead of saving his uncle, who seems to be having a lovely time, Alasdair decides he’d rather help Izzy with the Highland Games. Show her how to dance like a Highlander. Drink like a Highlander. And maybe, just maybe, fall in love with a Highlander. But when the games are over, where do they go from here?

A HIGHLANDER WALKS INTO A BAR can be purchased HERE.

Join me now for a Q&A with the author.

What inspired you to write A Highlander Walks into a Bar?

Laura:
It was actually a Buick car commercial from a couple of years ago where a grandson picks his grandmother up from the airport and she says saucily, “I did a lot of shopping in Italy.” From behind her luggage steps an Italian gentleman. Of course, my writer brain kept picturing what happened after the three of drove off and twisted it into an entire story but had to make up a town for them to return to!

Another big inspiration is a real-life place: Helen, Georgia, is a town that has transformed itself into a German village. It’s picturesque and they celebrate Octoberfest every year. I twisted that concept and made my little town of Highland, Georgia, into a Scottish village including an annual Highland Games that the Buchanan ladies put on every summer which is an important aspect of the book.

Introduce us to your main characters!

Laura:
Isabel Buchanan is the daughter who picks her mother up from the airport only to be surprised by the appearance of Gareth Blackmoor, who happens to be keeping his title of Earl of Cairndow a secret from everyone in Highland, Georgia, including Rose Buchanan, Isabel’s mother.

Alasdair Blackmoor is Gareth’s nephew and heir to the title and castle in Scotland. He’s been sent to round up his wandering uncle and to make sure he isn’t being taken advantage of by some pushy American women. Complications ensue, including love (of course!)

Lots of aspiring authors out there. Any advice for them?

Laura:
To become a better writer, you must write. Sounds simple, but I know so many aspiring authors who get stuck in their own head. They plot and make inspiration boards and talk about writing, but when the fingers hit the keyboard, they get mired in doubts. Just get the words down. They don’t have to be perfect; they don’t even have to be good, but you can’t fix a blank page!

How is A Highlander Walks into a Bar different from your other books?

Laura:
While it’s still a Southern small-town romance, it has a definite rom-com vibe. Expect low angst and lots of laughs! I love to read reviews where they reader has literally laughed out loud at several points.

I know asking someone’s all-time favorite book is a loaded question so what’s your current favorite read?

Laura:
Two series I have loved lately are Katherine Arden’s Winternight Trilogy (a fantasy retelling weaving medieval Russian history and folklore) and Deanna Raybourn’s Veronica Speedwell’s mysteries (a Victorian butterfly hunter teams up with a taxidermist to solve mysteries. I mean, seriously, how can you beat that combo?!)

Alright, the ultimate question: why should we read your book?

Laura:
If you need a pick-me-up, good-time, laugh-out-loud book, then read A Highlander Walks into a Bar!

Favorite quote or scene you wrote in A Highlander Walks into a Bar?

Laura:
As the woman continued to stare at him as if he were the bearer of the bubonic plague, his smile faltered. He stuck out a hand. “I’m Alasdair Blackmoor.”
Although he registered a split-second hesitation on her part, she took his hand. “Isabel Buchanan.”
Her handshake was firm and no-nonsense, but her palm was soft and her hand small in his. On closer inspection, her eyes striated into all different shades of brown and amber, and freckles dusted her cheeks. He hung on to her hand for too long, but couldn’t seem to pry himself away.
Breaking the spell, she wrested her hand from his, pulling it into a fist. Was she planning on throat-punching him? He rubbed his neck and took a step back, out of the radius of her magnetic energy, and her reach. On her approach, she’d seemed birdlike, insignificant even, but up close, he was having a hard time not staring like a first-class prat.
He was punch-drunk with exhaustion. It was the only logical explanation.
She stuck her hands into the back pockets of her jeans, stretching her red V-neck T-shirt tight. His gaze dipped instinctively and then stuck around to read the print on the pocket over the soft curve of her left breast: Highland. The Heart of Scotland in the Blue Ridge.
She cleared her throat. His gaze shot to hers, and he blinked to try to refocus his thoughts. “I was admiring . . . I mean, reading your shirt.”
“It’s not a novel.”
His face heated. He couldn’t remember the last time he’d blushed this hot and fierce.

What inspired you to become a writer?

Laura:
I’ve always been (and still am) a huge reader. My youngest child started preschool and I wasn’t ready to go back to work in what I’m trained for (chemical engineering) so I sat down one morning and started writing a book. I didn’t tell anyone what I was doing until I was around halfway done and loving every minute! That book became a Golden Heart finalist, got me an agent, and is published as An Indecent Invitation, a Regency historical.

What is a typical writing day like?

Laura:
During the school year, I work while the kids are in school. I love the flexibility of being there to pick my kids up and drive them to soccer or gymnastics or chaperoning field trips, etc.

Do you have any interesting writing quirks or habits?

Laura:
My only habit is a bad one in that I drink *way* too much coffee while I’m writing! It’s become a ritual, I suppose.

What has been one of the most surprising things you’ve learned as a published author?

Laura:
How slow the industry can move, but also how quickly changes have come because of indie publishing.

Can you tell us about what’s coming up next after this for you writing wise?

Laura:
For my contemporary fans, I have my second women’s fiction releasing early February 2020, An Everyday Hero. The second book in the Highland, Georgia, series, A Highlander in a Pickup, releases late February 2020.

For my historical romance fans, look out for A Wicked Wedding in the Once Upon a Christmas Wedding anthology releasing in October 2019. And two more full length books in the Spies and Lovers series, A Sinful Surrender and A Daring Deception, coming sometimes in mid to late 2020!

How can readers connect with you online?

Laura:
Or join my reader group: https://www.facebook.com/groups/1733284316920632/
Sign up for my newsletter:  https://landing.mailerlite.com/webforms/landing/w7o6b1
Follow me on Bookbub for new release or sale announcements: https://www.bookbub.com/authors/laura-trentham
Author Laura Trentham

For those who aren’t familiar with Laura, here’s a bit of background on her.

Laura Trentham is an award-winning author of contemporary and historical romance, including Then He Kissed Me and The Military Wife. She is a member of RWA and has been a finalist multiple times in the Golden Heart competition. A chemical engineer by training and a lover of books by nature, she lives in South Carolina.

Now for an added treat, here’s an excerpt from A HIGHLANDER WALKS INTO A BAR.

From A Highlander Walks into a Bar. Copyright © 2019 by Laura Trentham and reprinted with permission from St. Martin’s Paperbacks.
Chapter One
“I brought home a surprise!” Rose Buchanan threw her arms out wide as if embracing the world. From the sto- ries she told to the way she entered the room, Rose was exuberant and entertaining and enjoyed being the center of attention.
Isabel Buchanan, who was perfectly content on the fringes, pushed her wavy hair off her sticky forehead with hands that trembled from the nightmare drive through At- lanta to the airport to pick up her mom. Her mom’s trip to Scotland had doubled as both research and vacation. The jammed stop-and-go traffic had left Izzy flustered and al- ready dreading their exit from the airport.
Rolling her stiff shoulders, Izzy stepped around the bumper of the car, popping the trunk open on the way. Her mom had a beautiful plaid scarf of greens and browns and blues tossed over her shoulder and what appeared to be new earrings. Either purchase might inspire her mother to gush, and she would expect reciprocal gushing from Izzy. Making an educated guess, Izzy asked, “Are those ear-
rings your surprise?”
Without waiting for an answer, she hauled one of her mom’s giant wheeled suitcases closer and prepared toheave it into the back. The sooner they got out of Atlanta, the sooner she could get back to work planning the High- land festival. Or she might pour an extra-large glass of wine and escape into a book. A guilty pleasure, consider- ing how much she still had to get in order in three scant weeks.
“Allow me, please.” A bearded man who had been roll- ing cases to the curb stepped forward with a grin and an accent Izzy couldn’t place.
She checked her pockets and winced. No cash to tip the man, and no hope her mom had thought of something so inconsequential.
“Do you like them? They’re hammered silver.” Her mom flipped her bobbed matching silver hair to the side and displayed one earring with her fingers. “And as a matter of fact, I did buy them from a lovely shop in Edin- burgh, but I brought something bigger home. Something more exciting.”
“Your scarf? It’s lovely.” Izzy gave her mom limited attention while she watched the man load suitcase after suitcase into her trunk, fitting them together like a puzzle. More luggage than her mom had left with. She waved to catch the man’s attention. “Hang on. That’s not all my mom’s stuff.”
For the first time, Izzy really looked at the man. He was close to her mom in age, and good-looking in a bear- like way with a gleaming white smile highlighted by a salt-and-pepper beard. His full head of hair was a shade darker, but graying heavily at the temples. The expres- sion on the man’s face when he looked in her mom’s direction—a mix of adoration and amusement—cleared the fog of confusion.
Lord have mercy, her mother had brought back a six- foot, two-hundred-pound-plus souvenir from Scotland.

Thanks for stopping by during Laura’s visit. Have you ever watch an event unfold and/or saw an action between people and thought “that would make a great story”?

Tuesday, July 9, 2019

The Bookish Life of Nina Hill


I’m excited today to tell you about author Abbi Waxman’s new release, THE BOOKISH LIFE OF NINA HILL (Berkley Trade Paperback Original, July 9).

Inspired by the incredible young female booksellers she’s met while touring, Abbi’s third novel introduces confirmed introvert and twentysomething bookseller Nina Hill—whose carefully plotted life is about to go way off-script.

THE BOOKISH LIFE OF NINA HILL is what happens when Liane Moriarty’s skewering of suburbia meets the endearing quirkiness of Eleanor Oliphant is Completely Fine.

Meet Nina Hill: A young woman supremely confident in her own…shell.
 
The only child of a single mother, Nina has her life just as she wants it: a job in a bookstore, a kick-butt trivia team, a world-class planner and a cat named Phil. If she sometimes suspects there might be more to life than reading, she just shrugs and picks up a new book.
When the father Nina never knew existed suddenly dies, leaving behind innumerable sisters, brothers, nieces, and nephews, Nina is horrified. They all live close by! They’re all—or mostly all—excited to meet her! She’ll have to Speak. To. Strangers. It’s a disaster! And as if that wasn’t enough, Tom, her trivia nemesis, has turned out to be cute, funny, and deeply interested in getting to know her. Doesn’t he realize what a terrible idea that is? 
Nina considers her options.
1. Completely change her name and appearance. (Too drastic, plus she likes her hair.)
2. Flee to a deserted island. (Hard pass, see: coffee).
3. Hide in a corner of her apartment and rock back and forth. (Already doing it.)
It’s time for Nina to come out of her comfortable shell, but she isn’t convinced real life could ever live up to fiction. It’s going to take a brand-new family, a persistent suitor, and the combined effects of ice cream and trivia to make her turn her own fresh page.

Author Abbi Waxman/Photo:
© Photo by Leanna Creel
Abbi Waxman, the author of Other People's Houses and The Garden of Small Beginnings, is a chocolate-loving, dog-loving woman who lives in Los Angeles and lies down as much as possible. She worked in advertising for many years, which is how she learned to write fiction.

She has three daughters, three dogs, three cats, and one very patient husband. She can be found online at abbiwaxman.com, Facebook.com/abbiwaxmanbooks, and on Twitter @amplecat.

Thanks for stopping by today. What are your thoughts on the solace and sanctuary of a good book? When someone asks for a book recommendation, what’s your first response?

Monday, July 8, 2019

The Saturday Night Ghost Club


I hope everyone had a safe and happy Fourth of July holiday and is ready to find some new books to read. I’d delighted today to welcome acclaimed Canadian author Craig Davidson (horror pen name Nick Cutter) to Thoughts in Progress to talk about his new gripping, suspenseful novel, THE SATURDAY NIGHT GHOST CLUB.

A coming-of-age story set in Niagara Falls, in the vein of Stranger Things (season 3 premiered July 4), Craig’s novel is the perfect paranormal, 1980s fix for fans of the show.

Set in 1980s Niagara Falls—a seedy, but magical place surrounded by intrigue and lore—THE SATURDAY NIGHT GHOST CLUB centers around Jake Baker and his uncle Calvin, a kind, but eccentric enthusiast of occult artifacts and conspiracy theories. The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Uncle C decides to initiate them all into the “Saturday Night Ghost Club.” As the summer goes on, what begins as a light-hearted project leads to uncovering dark secrets beyond their imagination. With complimentary narratives of Jake as a twelve-year-old and as a neurosurgeon adult, Craig explores an intricate dynamic between one’s childhood and adulthood not often written in literature.

At once a suspenseful, gothic story of hauntings real and imagined, and also a poignant portrait on how childhood experiences influence the adults we become. The genre-bending novel is more than meets the eye as Craig gradually unfurls a twist you will not expect. THE SATURDAY NIGHT GHOST CLUB is the type of book you will think about for weeks after reading—about its emotional weight, its unforgettable characters, and its complex themes interwoven in the narrative, such as the mutability of memory and the power of familial love.

Now join me in a conversation with Craig.

You’ve previously published four literary fiction books, including the short story collection Rust and Bone, which was adapted into a Golden Globe-nominated feature film, and penned bestselling horror novels under your pseudonym Nick Cutter. Already a prominent writer in Canadian fiction, THE SATURDAY NIGHT GHOST CLUB seems poised to be your big, breakout book in the U.S. Why do you think this novel will resonate with so many people? How did your previous books and your horror novels as Nick Cutter influence THE SATURDAY NIGHT GHOST CLUB?

Craig:
Well, it would be nice to break out, sure! I think this is probably the most, I guess you’d say, the most accessible book I’ve ever written? With my earlier work, well, those are the books of a young man, full of the things that some young men worry about, obsess over, aspire to—as a result, they were kinda violent, myopic in the way that twentysomethings can occasionally be, navel-gazing, all that. They were a true expression of how I felt at the time, for sure—all the things that vexed and bothered and energized me, they’re all on display. But they may’ve been narrowly focused for all that. The Cutter books … I’m really proud of those, but again, perhaps narrowly focused. They’re likely seen (fairly) as pretty extreme in some ways. They’re a product of the horror books I grew up reading; in addition to King and McCammon and Barker—who is himself a rough pill to swallow sometimes—I enjoyed David Schow, Joe Lansdale, Poppy Z Brite, Skipp and Spector; writers who had a real dangerous edge. So again, if your influences are those, and you set out to have your writing have those kinds of sharp teeth … well, likely it won’t be for everyone. But that’s not to say The Saturday Night Ghost Club is some sort of toothless pap. It’s just that it’s concerned, I suppose, with the things that now matter to me: being a parent, nostalgia and what it felt like to be a child, the mysteries innate to that time of one’s life. Maybe I’ve become an old softie, I don’t know.

THE SATURDAY NIGHT GHOST CLUB beautifully addresses sophisticated concepts of memory, trauma, family dynamics, and mental health, but it is also very accessible and includes fantastical elements that appeal to wide range of readers. How were you able to create a story that transcends both genre and generation and why was that important?

Craig:
I suppose to be honest it was a lot of luck! Most writers will likely tell you that they aren’t 100% sure where their ideas come from—although there’s often a hint of their own selves and history in their stories, as there is for me in this one—but ultimately I just find some characters who I want to follow, to invest myself in their fictional existences, and I guess to work through some element of life (my own, or just some ambient question that I’ve wanted to try to answer, in this case about the power and frailty of human memory) that I find fascinating. Where it goes from there, how successful it eventually is in capturing those characters or addressing that question … well, that’s one of the challenges and fears of writing a book. How close did I come to accomplishing my ambition, lofty though it may have been?

The mutability and fallibility of memory is a clear theme of THE SATURDAY NIGHT GHOST CLUB, which makes the protagonist Jake an unreliable narrator as he looks back on his summer as a twelve-year-old. Memory continues to be a thread throughout the narrative with adult Jake’s profession as a neurosurgeon and his eccentric Uncle Calvin’s severe brain trauma. How do you think readers will look back on Jake’s story after revealing himself to be an unreliable narrator? Why does the function of brains in relation to memories interest you?

Craig:
I think we’re all fairly unreliable narrators when it comes to chronicling our own lives, or even the lives of others. Some of that is pretty harmless—say, a person’s Instagram page presenting a narrative of that person that is more glamorous or wise or instructive than their lives most likely are; so, basically a curated presentation of one’s life—and some are probably more problematic. But I mean, I’ve curated my own memories over time. I remember things differently than they happened, I’m sure. I could talk to old friends about a given event from our childhood or even our twenties, and we all may remember it slightly (or vastly) differently. Why is that? Well, we evolve as people. The things we felt and believed at one point in our lives—and acted on those beliefs—may not prevail when we look back at those events years later. So we kind of … sanitize our past selves, I guess. Make our past selves measure up in some way to the people we believe ourselves to be now. Unless there’s definitive proof to dispute our memory, then I suppose it can hold up in the only place it really matters—our own minds. So however readers react to Jake, I suppose it may inform the way they think about their own memories, and how reliable they really are.

THE SATURDAY NIGHT GHOST CLUB introduces its central characters to the supernatural world. However, they come to learn that the real monsters, and ghosts that haunt us, are human. Through the scenes depicting human violence, you weave in stories of how far one will go to protect those they love. What were you trying to convey about the challenges of protecting someone from the world and themselves and, as a father yourself, particularly the desire for parents to protect their children?

Craig:
I think a lot of that comes from being a parent now. Someone wrote that being a parent opens up this new intensity of love—like, something that registers on a different tenor or timbre than romantic love, or love for a friend. I’m not sure that’s the case. It could be for some, that’s not for me to say. But I do feel that it unlocked a new level of fear. I feel fear that I never really dreamt was possible when I think of all the terrible things that could happen to my kid. A lot of it is stupid, daydream-y ridiculous things, shark attacks and bizarre unfeasible threats, but they feel real to me! But in the end, I won’t always be there to protect my son. I won’t be there when he needs me, not always, and anyway, he may not take any advice I have to offer. So a great deal of that kind of love—of all love, really—is helplessness. You’re helpless to make someone love you, and you’re helpless sometimes to help those you love so much.

In THE SATURDAY NIGHT GHOST CLUB, you alternate between scenes of twelve-year-old Jake and adult Jake’s perspective, which creates a fascinating juxtaposition between the experiences that shape us as children and who we become as adults. How do you write such complex children?

Craig:
I just came back from picking up our six-year-old from daycare, and it always amazes me the innocence of emotion and, I guess, need, on display. As adults, we withhold things, don’t say what we mean (or not quite), and sometimes fail to let other people know how we feel about them, good or bad. And that’s likely the way it needs to be to have a functioning adult society. But the kids in this novel (and in a way, Uncle Calvin, who exists in somewhat of a permanent, willfully childlike state) are in that middle zone: old enough to know you can’t just blurt out your feelings like you did when you were five, but not yet cynical or wounded that they might chastise themselves for feeling things as deeply as they do. So, to be honest, I think any ability I may have on the front is really a “feel” kind of thing; you try different ideas and different thoughts out, as presented through your younger characters—and if they feel accurate, representative of how you yourself may have felt at that age, then you go with them.

Niagara Falls is not only the perfect setting for a ghost story given its surrounding lore, such as the “Maid of the Mist,” but it is also your hometown. As someone who grew up in Cataract City, how much of the book is inspired by your own childhood? Why was it an important setting for the narrative?

Craig:
Author Craig Davidson/Photo Credit Kevin Kelly
A great deal, yes. A huge amount. The Niagara Falls of the book is more the Niagara Falls of my childhood and teenage hood: the taffy stands, the cheap tourist junk shops, the cheesy haunted houses and wax museums. Clifton Hill’s really corporate now! They’ve got Starbucks and IHOPs on the strip now. All the mom and pop places are kinda gone. So again, it’s that feeling of going back, for me. The more I write, the older I get, the more I inevitably seem to retreat to those times and places and people in my past. It’s not that I don’t love my life now. I do. I’m so lucky, so grateful for it. But the world now has a complexity and threat that unnerves me sometimes. You’ve got people in positions of great power who don’t seem like they belong there, aren’t doing the right things, and vast swathes of people who support them anyway. So maybe I just skedaddle back into the past as a mental health measure!

From Stranger Things to GLOW to The Americans, eighties nostalgia has become increasingly prevalent in media and pop culture over the last five years. Why do you think that decade is captivating viewers and readers right now? Why did you choose it as the time period for THE SATURDAY NIGHT GHOST CLUB?

Craig:
Yes, well, the simplest answer is: I grew up and came of age in the 80s. I basically thought, what year was it when I was Jake’s age? 1988. So I tried to put myself there, at the tail end of the 80s, and write from that perspective. I would guess the popularity may be due to simple nostalgia value, plus the fact that a lot of creative people from that generation are now in their thirties and forties, and are writing books and TV shows and films, and that’s the time-frame they gravitate to for the same reasons I do. The 80s feel like such a lightweight, untroubled decade now. The Amblin decade, right? The nineties, everyone became Wall Streeters. So it feels like the right decade to tell stories for some of us who grew up at the time, and it’s perhaps an embraceable decade for those who didn’t.

Craig, thanks for sharing this insight into your story. Knowing background of a story always adds more depth for me.

For those who aren’t familiar with Craig, here’s a bit of background on him.

Craig Davidson has published four previous books of literary fiction: Rust and Bone, which was made into a Golden Globe-nominated feature film, The Fighter, Sarah Court, and the Scotiabank Giller Prize-nominated Cataract City. Davidson is a graduate of the Iowa Writers’ Workshop, and his articles and journalism have been published in Esquire, GQ, and The Washington Post, among other places. He lives in Toronto, Canada, with his partner and their child. He also publishes bestselling horror fiction under the pseudonym Nick Cutter.

Thanks everyone for stopping by today during Craig’s visit. What are your thoughts on humans sometimes being more monsters than anything the supernatural world can throw at us?