Showing posts with label #supernatural. Show all posts
Showing posts with label #supernatural. Show all posts

Friday, July 30, 2021

Claimed by J.R. Ward

Fresh off her latest New York Times bestseller Lover Unveiled (April 2021), #1 New York Times bestselling author J.R. Ward introduces a new type of supernatural force with CLAIMED (Gallery Books; Mass Market) that went on sale this week.

Lydia Susi is passionate about protecting wolves in their natural habitat. When a hotel chain develops a tract of land next to the preserve, Lydia is one of the most vocal opponents of the project—and becomes a target.

One night, a shadowy figure threatens Lydia’s life in the forest, and a new hire at the Wolf Study Project comes from out of nowhere to save her. Daniel Joseph is both mysterious, and someone she intrinsically wants to trust. But is he hiding something?

As the stakes get higher, and one of Lydia’s colleagues is murdered, she must decide how far she will go to protect the wolves. Then a shocking revelation about Daniel challenges Lydia’s reality in ways she could never have predicted. Some fates demand courage, while others require even more, with no guarantees. Is she destined to have true love...or will a soul-shattering loss ruin her forever? 

Now here’s an excerpt for your reading pleasure.

CLAIMED
Chapter 1
Town of Walters, est. 1834
Upstate New York

 Lydia Susi’s Destiny came for her in the veil, on a random Thursday in the early spring.

                As she ran along the wooded trail, two miles into a loop that would take her through the preserve’s northeastern acreage, she was measuring the glowing line that topped the contours of the mountains. Soon, the stripe would expand to an aura, and after that, the sun would accept the handoff from the moon, and day would arrive.

                Her grandfather had always told her there were two twilights, two gloamings, and if you wanted to find your past, you went into the pines in the evening as the sun went down. If you wanted your future to come to you, you went alone into the forest in the veil, during that sacred transition of night into morning. There, he’d told her, when the distinction between that which ruled the light and that which held domain over the dark was at its narrowest, when the moon and the sun reached for each other before the rotations of their orbits tore them asunder, there was when the mortal could brush up against the infinite and seek answers, direction, guidance.

Of course, that did not mean you got good news. Or what you wanted.

But life was not an à la carte buffet where you could choose everything that went on your plate—another words-of-wisdom from a man who had lived to be 101 years old still smoking a pipe and drinking a glass of sima after his dinner year round.

Why limit spring to just Vappu? he’d said.

Lydia had never believed in his superstitions. She was a researcher, a scientist, and the kinds of things that her isoisa had gone on about did not fit in with that Ph.D. in biology she’d bought on layaway from the federal government and was still paying off.

So no, she was not out looking for any prognosti-cation from the universe this morning. She was get-ting her workout done before she headed into her office at the Wolf Study Project. With the way things had been going lately, she was going to blink and it would be seven at night. Short-staffed and under-funded, everything was a fight for resources at WSP, and by the time she locked things up every evening, she was exhausted. So Carpe Cardio was her motto and why she was out in this misty darkness—

Lydia let her stride peter to a halt.

Her breath pumped in clouds that captured and held the moonlight, and as a breeze came across the trail, her body did the same with the chill, grabbing it out of the air and bringing it in under her wind-breaker.

As she shivered, she looked behind herself. The trail she was on was the widest one in the preserve, a highway rather than a street, but she couldn’t see much into the trees. Pines crowded up close to the shoulders of the packed path, and the fog wafting through the craggy trunks and fluffy boughs obscured the forest even more.

                In a quick calculation, she figured she was a good three miles from any other human, two miles from her car at the trailhead’s parking area, and a hundred yards from what had caught her attention.

                There, up ahead, something was close to the ground, moving.

                Fight or flight, Lydia, she thought. What’s it going to be.

                She reached around to the small of her back. There were two cylinders mounted on the strap of her fanny pack, and she left the Mace where it was. Clicking on her flashlight and bringing it forward, she swung the beam in a wide arc—

                The eyes flashed over on the left, a set of retinas flaring the light back at her as pinpoints. The stare was about three feet from the ground and the pupils were set close together, as predators’ were.

                Lydia looked around again.

“I’m not going to bother you,” she said. But like the gray wolf spoke English?

                The growl was soft. And then came the rustling. The animal was prowling toward her.

                “Oh, shit.”

Except . . .

Lydia kept the beam down on the fallen pine needles as she, too, walked forward. Something was wrong with the wolf, its gait wobbly and uneven. Yet the spirit of the hunter remained undeterred—and she was identified as its target.

                She was about twenty feet away when she got a sense of the fully mature male. He was filled out, at a healthy weight of about a hundred and thirty pounds, and his mottled white, gray, and brown fur was thick and lush, especially at the tail. But his head was hanging at a bad angle, and he was dragging his back paws as he continued to close the distance between them.

                It was obvious when the wolf was going to collapse. Though his head remained forward, his body listed to the side, his will staying strong even as his rear legs, and then his forelegs, gave out.

                He landed on the soft bed of pine needles on his side, and the struggle was immediate, useless paws batting at thin air and ground cover. As Lydia drew a little closer to him, he snarled, flashing long white fangs, his golden eyes narrowing.

                “Shh . . .” she said as she kneeled down.

                Her hand shook as she got out her cell phone. As she called a number from her favorites, she tried to keep her breathing steady.

                In the flashlight’s beam, she could see the grayness of those gums. The wolf was dying—and she knew why.

                “God damn it, pick up, pick up—” Her words ma-chine gun’d from her mouth. “Rick? Wake up, I’ve got another one. On the main trail—what? Yes, it’s the same—enough with the talking, get your ass out of bed. I’m on the loop, about two miles into the—huh? Yes, bring everything, and hurry.”

                She cut the connection as her voice gave out.

                Letting herself fall back to a sit, she stared into those beautiful eyes and tried to project love, acceptance, gentleness . . . compassion. And something got through, the majestic male’s muzzle relaxing, its paws falling still, his flank rising and falling in a shuddering breath.

                Or maybe it was dying right now.

“Help is coming,” she said hoarsely to the animal.

Meet the Author: J.R. Ward

J.R. Ward_Photograph © Jan Cobb

J.R. Ward is the author of over thirty novels, including those in her #1 New York Times and USA Today bestselling series, The Black Dagger Brotherhood. There are more than 15 million copies of Ward’s novels in print worldwide and they have been published in 25 different countries around the world.

After graduating from law school, Ward began working in healthcare in Boston and spent many years as Chief of Staff of one of the premier academic medical centers in the nation. 

She lives in the south with her incredibly supportive husband and her beloved golden retriever. Writing has always been her passion and her idea of heaven is a whole day of nothing but her computer, her dog and her coffee pot.

Visit the JRWard Facebook Page for more on the Brotherhood or email her at assistant@jrward.com.

Thanks so much for stopping by today. Are you a fan of wolves? Does this excerpt entice you to find out more?

Thursday, September 24, 2020

French Quarter Requiem by Roland Yeomans

There’s a fascinating audiobook I want to share with your today from fellow blogger and author Roland Yeomans.

FRENCH QUARTER REQUIEM

Dark Hollywood, Book 1

Listening Length: 5 hours and 14 minutes

Author: Roland Yeomans

Narrator: Scott O'Dell

Audible.com Release Date: August 20, 2020

Publisher: Roland D. Yeomans

Program Type: Audiobook

Version: Unabridged

Language: English

ASIN: B08G8VMMYD

        

Darkness cannot claim what Light does not surrender.... But sometimes it follows you home. There are portals opening to realms far beyond the fields we know. 

           Not since the Black Plague has Death taken so many lives across so much of the known world as has World War II. 

         There is a Cosmic Balance. Such an ocean of shed blood and thunder of anguished screams have opened Doors behind which Beings have been impatiently waiting to be released.

          Veterans from WWII have returned to Los Angeles and New Orleans thinking they had seen the last of Hell. 

          They were wrong.

Here are my thoughts ….

When the protagonist is a sociopathy that lives by the words of Marcus Aurelius you know you’re in for an unpredictable, scary adventure. FRENCH QUARTER REQUIEM doesn’t disappoint.

Author Roland Yeomans has created a captivating, intense story set in post-World War II Hollywood and its dark underbelly with a side trip to a haunted mansion in New Orleans. The author shares a new look at Hollywood icons such as Alfred Hitchcock and Cecil B. DeMille.

Narrator Scott O’Dell does a wonderful job of bringing all the characters to life. He gives each their own unique voice. O’Dell adds depth to the story through his mannerisms. His tones and speech flow are perfect for this spooky story.

Yeomans has blended historical figures, captivating landmarks and bewitching new characters into a gripping story of murder and intrigue. The author’s ferocious research and energetic imagination fused into a compelling story of tangled lives and ghosts.

With unexpected twists and turns, you never know what to expect next. A fascinating story from beginning to end.

Thanks so much for stopping by today. I hope I’ve stimulated your reading (listening) appetite for Roland’s story. 

I also want to share a bit of news about the author with you. Roland is homeless due to Hurricane Laura and problems continue due to Tropical Storm Beta. He lost almost everything and if he doesn’t find a place to stay by the end of the month, he will be homeless and lose his beloved cat, Midnight. If you would like to help him, you can do so by donating to his PayPal account - rxena77 @ yahoo.com.

Monday, July 8, 2019

The Saturday Night Ghost Club


I hope everyone had a safe and happy Fourth of July holiday and is ready to find some new books to read. I’d delighted today to welcome acclaimed Canadian author Craig Davidson (horror pen name Nick Cutter) to Thoughts in Progress to talk about his new gripping, suspenseful novel, THE SATURDAY NIGHT GHOST CLUB.

A coming-of-age story set in Niagara Falls, in the vein of Stranger Things (season 3 premiered July 4), Craig’s novel is the perfect paranormal, 1980s fix for fans of the show.

Set in 1980s Niagara Falls—a seedy, but magical place surrounded by intrigue and lore—THE SATURDAY NIGHT GHOST CLUB centers around Jake Baker and his uncle Calvin, a kind, but eccentric enthusiast of occult artifacts and conspiracy theories. The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Uncle C decides to initiate them all into the “Saturday Night Ghost Club.” As the summer goes on, what begins as a light-hearted project leads to uncovering dark secrets beyond their imagination. With complimentary narratives of Jake as a twelve-year-old and as a neurosurgeon adult, Craig explores an intricate dynamic between one’s childhood and adulthood not often written in literature.

At once a suspenseful, gothic story of hauntings real and imagined, and also a poignant portrait on how childhood experiences influence the adults we become. The genre-bending novel is more than meets the eye as Craig gradually unfurls a twist you will not expect. THE SATURDAY NIGHT GHOST CLUB is the type of book you will think about for weeks after reading—about its emotional weight, its unforgettable characters, and its complex themes interwoven in the narrative, such as the mutability of memory and the power of familial love.

Now join me in a conversation with Craig.

You’ve previously published four literary fiction books, including the short story collection Rust and Bone, which was adapted into a Golden Globe-nominated feature film, and penned bestselling horror novels under your pseudonym Nick Cutter. Already a prominent writer in Canadian fiction, THE SATURDAY NIGHT GHOST CLUB seems poised to be your big, breakout book in the U.S. Why do you think this novel will resonate with so many people? How did your previous books and your horror novels as Nick Cutter influence THE SATURDAY NIGHT GHOST CLUB?

Craig:
Well, it would be nice to break out, sure! I think this is probably the most, I guess you’d say, the most accessible book I’ve ever written? With my earlier work, well, those are the books of a young man, full of the things that some young men worry about, obsess over, aspire to—as a result, they were kinda violent, myopic in the way that twentysomethings can occasionally be, navel-gazing, all that. They were a true expression of how I felt at the time, for sure—all the things that vexed and bothered and energized me, they’re all on display. But they may’ve been narrowly focused for all that. The Cutter books … I’m really proud of those, but again, perhaps narrowly focused. They’re likely seen (fairly) as pretty extreme in some ways. They’re a product of the horror books I grew up reading; in addition to King and McCammon and Barker—who is himself a rough pill to swallow sometimes—I enjoyed David Schow, Joe Lansdale, Poppy Z Brite, Skipp and Spector; writers who had a real dangerous edge. So again, if your influences are those, and you set out to have your writing have those kinds of sharp teeth … well, likely it won’t be for everyone. But that’s not to say The Saturday Night Ghost Club is some sort of toothless pap. It’s just that it’s concerned, I suppose, with the things that now matter to me: being a parent, nostalgia and what it felt like to be a child, the mysteries innate to that time of one’s life. Maybe I’ve become an old softie, I don’t know.

THE SATURDAY NIGHT GHOST CLUB beautifully addresses sophisticated concepts of memory, trauma, family dynamics, and mental health, but it is also very accessible and includes fantastical elements that appeal to wide range of readers. How were you able to create a story that transcends both genre and generation and why was that important?

Craig:
I suppose to be honest it was a lot of luck! Most writers will likely tell you that they aren’t 100% sure where their ideas come from—although there’s often a hint of their own selves and history in their stories, as there is for me in this one—but ultimately I just find some characters who I want to follow, to invest myself in their fictional existences, and I guess to work through some element of life (my own, or just some ambient question that I’ve wanted to try to answer, in this case about the power and frailty of human memory) that I find fascinating. Where it goes from there, how successful it eventually is in capturing those characters or addressing that question … well, that’s one of the challenges and fears of writing a book. How close did I come to accomplishing my ambition, lofty though it may have been?

The mutability and fallibility of memory is a clear theme of THE SATURDAY NIGHT GHOST CLUB, which makes the protagonist Jake an unreliable narrator as he looks back on his summer as a twelve-year-old. Memory continues to be a thread throughout the narrative with adult Jake’s profession as a neurosurgeon and his eccentric Uncle Calvin’s severe brain trauma. How do you think readers will look back on Jake’s story after revealing himself to be an unreliable narrator? Why does the function of brains in relation to memories interest you?

Craig:
I think we’re all fairly unreliable narrators when it comes to chronicling our own lives, or even the lives of others. Some of that is pretty harmless—say, a person’s Instagram page presenting a narrative of that person that is more glamorous or wise or instructive than their lives most likely are; so, basically a curated presentation of one’s life—and some are probably more problematic. But I mean, I’ve curated my own memories over time. I remember things differently than they happened, I’m sure. I could talk to old friends about a given event from our childhood or even our twenties, and we all may remember it slightly (or vastly) differently. Why is that? Well, we evolve as people. The things we felt and believed at one point in our lives—and acted on those beliefs—may not prevail when we look back at those events years later. So we kind of … sanitize our past selves, I guess. Make our past selves measure up in some way to the people we believe ourselves to be now. Unless there’s definitive proof to dispute our memory, then I suppose it can hold up in the only place it really matters—our own minds. So however readers react to Jake, I suppose it may inform the way they think about their own memories, and how reliable they really are.

THE SATURDAY NIGHT GHOST CLUB introduces its central characters to the supernatural world. However, they come to learn that the real monsters, and ghosts that haunt us, are human. Through the scenes depicting human violence, you weave in stories of how far one will go to protect those they love. What were you trying to convey about the challenges of protecting someone from the world and themselves and, as a father yourself, particularly the desire for parents to protect their children?

Craig:
I think a lot of that comes from being a parent now. Someone wrote that being a parent opens up this new intensity of love—like, something that registers on a different tenor or timbre than romantic love, or love for a friend. I’m not sure that’s the case. It could be for some, that’s not for me to say. But I do feel that it unlocked a new level of fear. I feel fear that I never really dreamt was possible when I think of all the terrible things that could happen to my kid. A lot of it is stupid, daydream-y ridiculous things, shark attacks and bizarre unfeasible threats, but they feel real to me! But in the end, I won’t always be there to protect my son. I won’t be there when he needs me, not always, and anyway, he may not take any advice I have to offer. So a great deal of that kind of love—of all love, really—is helplessness. You’re helpless to make someone love you, and you’re helpless sometimes to help those you love so much.

In THE SATURDAY NIGHT GHOST CLUB, you alternate between scenes of twelve-year-old Jake and adult Jake’s perspective, which creates a fascinating juxtaposition between the experiences that shape us as children and who we become as adults. How do you write such complex children?

Craig:
I just came back from picking up our six-year-old from daycare, and it always amazes me the innocence of emotion and, I guess, need, on display. As adults, we withhold things, don’t say what we mean (or not quite), and sometimes fail to let other people know how we feel about them, good or bad. And that’s likely the way it needs to be to have a functioning adult society. But the kids in this novel (and in a way, Uncle Calvin, who exists in somewhat of a permanent, willfully childlike state) are in that middle zone: old enough to know you can’t just blurt out your feelings like you did when you were five, but not yet cynical or wounded that they might chastise themselves for feeling things as deeply as they do. So, to be honest, I think any ability I may have on the front is really a “feel” kind of thing; you try different ideas and different thoughts out, as presented through your younger characters—and if they feel accurate, representative of how you yourself may have felt at that age, then you go with them.

Niagara Falls is not only the perfect setting for a ghost story given its surrounding lore, such as the “Maid of the Mist,” but it is also your hometown. As someone who grew up in Cataract City, how much of the book is inspired by your own childhood? Why was it an important setting for the narrative?

Craig:
Author Craig Davidson/Photo Credit Kevin Kelly
A great deal, yes. A huge amount. The Niagara Falls of the book is more the Niagara Falls of my childhood and teenage hood: the taffy stands, the cheap tourist junk shops, the cheesy haunted houses and wax museums. Clifton Hill’s really corporate now! They’ve got Starbucks and IHOPs on the strip now. All the mom and pop places are kinda gone. So again, it’s that feeling of going back, for me. The more I write, the older I get, the more I inevitably seem to retreat to those times and places and people in my past. It’s not that I don’t love my life now. I do. I’m so lucky, so grateful for it. But the world now has a complexity and threat that unnerves me sometimes. You’ve got people in positions of great power who don’t seem like they belong there, aren’t doing the right things, and vast swathes of people who support them anyway. So maybe I just skedaddle back into the past as a mental health measure!

From Stranger Things to GLOW to The Americans, eighties nostalgia has become increasingly prevalent in media and pop culture over the last five years. Why do you think that decade is captivating viewers and readers right now? Why did you choose it as the time period for THE SATURDAY NIGHT GHOST CLUB?

Craig:
Yes, well, the simplest answer is: I grew up and came of age in the 80s. I basically thought, what year was it when I was Jake’s age? 1988. So I tried to put myself there, at the tail end of the 80s, and write from that perspective. I would guess the popularity may be due to simple nostalgia value, plus the fact that a lot of creative people from that generation are now in their thirties and forties, and are writing books and TV shows and films, and that’s the time-frame they gravitate to for the same reasons I do. The 80s feel like such a lightweight, untroubled decade now. The Amblin decade, right? The nineties, everyone became Wall Streeters. So it feels like the right decade to tell stories for some of us who grew up at the time, and it’s perhaps an embraceable decade for those who didn’t.

Craig, thanks for sharing this insight into your story. Knowing background of a story always adds more depth for me.

For those who aren’t familiar with Craig, here’s a bit of background on him.

Craig Davidson has published four previous books of literary fiction: Rust and Bone, which was made into a Golden Globe-nominated feature film, The FighterSarah Court, and the Scotiabank Giller Prize-nominated Cataract City. Davidson is a graduate of the Iowa Writers’ Workshop, and his articles and journalism have been published in Esquire, GQ, and The Washington Post, among other places. He lives in Toronto, Canada, with his partner and their child. He also publishes bestselling horror fiction under the pseudonym Nick Cutter.

Thanks everyone for stopping by today during Craig’s visit. What are your thoughts on humans sometimes being more monsters than anything the supernatural world can throw at us?