Showing posts with label Brad Taylor. Show all posts
Showing posts with label Brad Taylor. Show all posts

Thursday, July 4, 2013

Off The Shelf: The Widow's Strike by Brad Taylor


flag-fireworksToday as we celebrate our Independence Day with the Fourth of July holiday, it’s a great time to talk about a book written by a 21-year veteran of the U.S. Army Infantry and Special Forces.

New York Times bestselling author Brad Taylor introduces his fourth Pike Logan thriller, THE WIDOW’S STRIKE this month. Lieutenant Colonel (ret.) Taylor writes with a level of accuracy that has made military authenticity his trademark. 

Brad’s popularity has grown by leaps and bounds with each action-packed novel. Booklist raves, “Taylor, whose background in Special Forces gives his work undeniable authenticity, delivers another exciting thriller that the covert-ops crowd will relish.” Because of his lengthy career and media savvy, Brad has also become a regular commentator on FOX and MSNBC to discuss breakicoverng news involving terrorism, security threats, and ground operations.


In this fourth Pike Logan series thriller, the Taskforce must stop a suicide bomber intent on triggering a global epidemic.
    Invented by nature but genetically manipulated by man, a mutation of a deadly virus has fallen into the wrong hands. Angered by sanctions placed against its nuclear program, a rogue state is determined to release it. Their chosen method: one of the Black Widows—female suicide terrorists of Chechen descent with a deadly reputation for slaughter that rivals any other group.
    The only thing standing in the Black Widow’s way is the Taskforce, an extra-legal counter-terrorism unit. Racing against time to prevent a global pandemic, Taskforce operator Pike Logan and his partner Jennifer Cahill follow the trail across Southeast Asia to the United States, only to learn that the enemy they face may not be the enemy they should fear.


THE WIDOW’S STRIKE ties together government-sanctioned terrorist activities, nefarious multinational conglomerates, and frighteningly plausible science. Infused with authenticity from Brad’s decades of service as a Delta Force commander, it’s an explosive ride alongside America’s counter-terrorism operators that will leave readers breathless.

Here’s what others are saying about THE WIDOW’S STRIKE:
    “Terrorists seek to cause mass devastation using a virus as a bio-weapon in bestseller Taylor’s entertaining fourth Pike Logan thriller…clever plotting and solid prose set this above many similar military action novels.”Publishers Weekly
    “Don your hazmat suit, prop up your feet and enjoy a good yarn.” - Kirkus Reviews     “Taylor, whose background in Special Forces gives his work undeniable authenticity, delivers another exciting thriller that the covert-ops crowd will relish. Get this one into the hands of Vince Flynn fans.”Jeff Ayers, Booklist


ABOUT THE AUTHOR:
Brad was born on Okinawa, Japan, but grew up on 40-acres in rural
Texas. Graduating from the University of Texas, he was commissioned as a second lieutenant in the U.S. Army Infantry. Brad served for more than 21 years, retiring as a Special Forces Lieutenant Colonel. During that time he held numerous Infantry and Special Forces positions, including eight years in 1st Special Forces Operational Detachment – Delta where he commanded multiple troops and a squadron. 


He has conducted operations in support of US national interests in Iraq, Afghanistan, and other classified locations. His final assignment was as the Assistant Professor of Military Science at The Citadel in Charleston, SC. Brad holds a Master’s of Science in Defense Analysis from the Naval Postgraduate School, with a concentration in Irregular Warfare.  

When not writing, he serves as a security consultant on asymmetric threats for various agencies. Brad in Charleston, SC, with his wife and two daughters.

Brad will be on tour this month promoting WIDOW’S STRIKE. Check out the listing below to see if he will be in or near where you live.

Tuesday, July 16, 6:30 p.m. - Charleston, S.C. The Rooftop Bar at Vendue Inn
19 Vendue Range St
Charleston, SC 29401
www.bluebicyclebooks.com

 
Wednesday, July 17, 6:30 p.m. - Atlanta, GA. Books For Less
Offsite at: 8465 Holcomb Bridge Road
Alpharetta, GA 30022
www.mybfl.com  


Thursday, July 18, 7 p.m. - Scottsdale, AZ Poisoned Pen
4014 N Goldwater Blvd, Ste 101
Scottsdale, AZ 85251-4327
www.poisonedpen.com  


Friday, July 19, 7 p.m. - Albuquerque, NM Bookworks
4022 Rio Grande Blvd, NW
Albuquerque, NM 87107
www.bkwrks.com  


Saturday, July 20, 4:30 p.m. - Houston, TX
Murder by the Book
2342 Bissonett Street
Houston, TX 77005
www.murderbooks.com  


If you’d like a signed copy of THE WIDOW’S STRIKE or one of Brad’s previous books, please contact one of the tour bookstores closest to you.  They will sell you the book and Brad will sign it when he visits the bookstore on tour.


Thanks so much for stopping by today. I hope everyone is having a safe, happy (and dry, as it’s 100 percent rain here) FOURTH OF JULY!! 

For more on Brad and his writing, visit his website at http://bradtaylorbooks.com/

Tuesday, January 15, 2013

Pike Logan Returns In Enemy Of Mine


Booklist has it right when with this quote, “Readers of novels set in the world of Special Forces have many choices, but Taylor is one of the best."


The Taylor is Brad and his latest release is ENEMY OF MINE, the third novel in the New York Times bestselling Pike Logan series. With an unrivaled ability to blend military knowledge and create three-dimensional characters, Retired Lieutenant Colonel Taylor is quickly rising up the ranks in his genre. 

     In this Pike Logan thriller, a tentative peace between Israel and Palestine has been brokered by the United States. But the Taskforce—a clandestine team operating outside of US law to protect the country from terrorism—gets wind of an assassination attempt on the American envoy sent to solidify the treaty. The Taskforce must devote every resource to saving his life—and preventing another bloody outbreak of violence.
     Task force operator Pike Logan and his partner, Jennifer Cahill, are charged with following the assassin’s flimsy trail through the Middle East, a trail that becomes more muddled at every turn. They must contend with terrorist organizations, independent killers, and shaky allies to uncover the biggest threat of all: an American citizen hiding a secret that just may destroy everything, including the Task force.


Brad is on the road in the coming days with book signings. Check the listing below to see if he could be at a signing near you.
* Wednesday, Jan. 16 - Vero Beach, FL
Vero Beach Book Center - 6 p.m.
www.theverobeachbookcenter.com
* Thursday, Jan. 17 - Alpharetta, GA
Peerless Bookstore - 6:30 p.m.
www.peerlessbookstore.com
* Friday, Jan. 18 - Houston, TX
Murder by the Book - 6:30 p.m.
www.murderbooks.com
* Saturday, Jan. 19 - Cincinnati, OH
Joseph-Beth Booksellers - 7 p.m.
www.josephbeth.com
* Sunday, Jan. 20 - Okemos, MI
Schuler Books & Music -2 p.m.
www.schulerbooks.com
* Monday, Jan. 21 - Naperville, IL
Anderson’s Bookshop - 7 p.m.
www.andersonsbookshop.com
* Thursday, Jan. 24 - Charleston, SC
Barnes & Noble - 7 p.m.
www.barnesandnoble.com


Brad joins us today to talk about his book and has graciously answered several questions.

Mason - Looking back on your writing process for Enemy of Mine, what was the biggest surprise that occurred?

Brad - It’s embarrassing to say, but the biggest surprise was learning I had the ability to tell a compelling story for a third time. The thought of creating a third book was daunting, but halfway through writing the first draft of ENEMY OF MINE, I stopped and went back through for edits. When I was done, I told my wife, “Believe it or not, this might be the best stuff I’ve ever put on the page.” It was definitely a pleasant surprise. I write a series, which has its pros and cons. The reader, if he or she comes back, did so for a reason, so they connected to something on the page of a previous book. They want something familiar, but not the same. I want to capture the reader, immerse him or her in the story, and was afraid ENEMY OF MINE would be nothing more than ALL NECESSARY FORCE in a different setting. Surprisingly (to me) that fear ended up being hollow.
 
Mason - Being the third in a series, what were some of the challenges you faced writing ENEMY OF MINE?
 
Brad - Probably the biggest challenge was the continued development of Pike and Jennifer’s relationship, along with creating new, distinct characters. As I stated above, in no way did I want a re-hash of any of my other books. I write an action-oriented series, but getting the reader to associate with the characters – both on the “good-guy” side and the “bad-guy” side – is what really matters to me. It’s the heart of why I write. Bullets flying around and bombs going off are great, but they mean nothing unless someone is viscerally affected by the action. That’s what brings the story to life, and is the hardest thing I struggle with. I know – and use – a lot of current counter-terrorism methods in my writing, but at the end of the day, it’s the impact of those events on the characters that makes a reader want to continue.  

Other than that, the Arab Spring continues to plague me. Initially, Syria factored as a major setting in ENEMY OF MINE, and I had a planned research trip to Damascus in conjunction with a friendEnemy of Mine of mine that worked in the U.S. embassy there. Then, Syria went up in smoke and my friend ended up dealing with car bombs and closing down the embassy. It was a significant challenge attempting to predict what would occur next in the Arab Spring while writing ENEMY OF MINE.

Mason - What do you hope readers will take away from this book, if anything?

Brad - As always, my primary hope is that the reader has trouble putting the book down, wanting to get to the next scene. That’s truly why I write, and not for any overarching political or moral message. If the reader is forced to choose between some task and reading my book, and decides on the book, I’ve succeeded. Other than enjoying the narrative, in ENEMY OF MINE I left behind the global nature of fanatical Islamic groups such as al Qaida, focusing instead on terrorist organizations with finite political goals, in this case Hamas and Hezbollah. There’s a history involved that’s entrenched in the Levant, but not too well known in the United States. Hopefully, some of the issues seep through the fiction and illuminate the parameters of a story the next time the reader is watching the evening news.
 
Mason - When you write, do you jump right into a story or do you plan and outline?

Brad - I definitely plan in advance, but I don’t develop a detailed outline. I have to know the problem to be solved or the crisis to be averted before even beginning to start to write, and that requires a tremendous amount of research. For instance, I wanted to understand the dynamics of the entire Palestinian diaspora, Hezbolla and Israel for ENEMY OF MINE. I had a very solid basic foundation, but I needed to know more, so before even beginning an outline of EOM I read five or six books on the problem, from all sides of the debate. And I do that for every manuscript. Once that’s done I sketch what I call a “framework”, which thematically carries large brushstrokes, but doesn’t do anything finite. I want the ability to shift mid-type, as it were, and if I tie myself down with a finite outline, I lose that flexibility. From there, I begin to type, connecting the large dots with the granular plot.  

Mason - What can readers look forward to next from you?
 
Brad - As I said above, I’m done trying to predict the Arab Spring – at least for a couple of books. I just finished the initial draft for THE WIDOW’S STRIKE and I’ve moved to South-East Asia as a setting. I served there in Special Forces, and it was fun doing the research on some old stomping grounds. TWS deals with the horrific potential of a pandemic of the H5N1 virus, more commonly known as the avian flu – something that’s very real, and very deadly. And yes, I surprised myself again. The characters resonate more than ever, and the plot races. THE WIDOW’S STRIKE will be available in July of 2013.

Brad, thanks for joining us and giving us a look at the detail research you do for your books. BTW, you have succeeded in making your books hard to put down.

To understand that Brad knows what he’s talking about in his books, you have to know a bit of background about him. He was born on Okinawa, Japan, but grew up on 40-acres in rural Texas. Graduating from the University of Texas, he was commissioned as a second lieutenant in the U.S. Army Infantry.  

Brad served for more than 21 years, retiring as a Special Forces Lieutenant Colonel. During that time he held numerous Infantry and Special Forces positions, including eight years in 1st Special Forces Operational Detachment – Delta where he commanded multiple troops and a squadron. He has conducted operations in support of US national interests in Iraq, Afghanistan, and other classified locations. His final assignment was as the Assistant Professor of Military Science at The Citadel in Charleston, SC.  

He holds a Master’s of Science in Defense Analysis from the Naval Postgraduate School, with a concentration in Irregular Warfare. When not writing, he serves as a security consultant on asymmetric threats for various agencies. He lives in Charleston, SC, with his wife and two daughters. For more on Brad, his books and his writing, visit his website at http://bradtaylorbooks.com/

Here’s some additional comments about ENEMY OF MINE:
     Booklist raved, “His obvious insider knowledge, combined with a well-constructed narrative, make all his work—and this novel, in particular—a delight for fans of the subgenre,” and Publishers Weekly agreed, “Those who prize authentic military action will be rewarded.” In a starred review, Kirkus said Taylor’s new novel “satisfies from start to finish,” and Vince Flynn, unprompted, blurbed, “When it comes to tactics and hardware he is spot-on.”


Thanks everyone for stopping by today. Do you enjoy books that deal with current affairs and have a military theme?

Monday, January 30, 2012

Author Brad Taylor Discusses Declassifying His Writing

 
It’s always a pleasure to welcome bestselling author Lieutenant Colonel (ret.) Brad Taylor back here to talk about his latest book and his writing.

Unlike most writers, when Brad (a Conroe native) writes in his novels about a particular weapon or the logistics of a military operation, he has to vet it for classified information. Brad’s experience comes from 21 years in combat zones around the world in the infantry, Special Forces, and 8 years as a commander in the 1st Special Forces Operational Detachment – Delta, commonly known as the Delta Force. He was part of operations to take down Al Qaeda after the 9/11 attacks and, after retiring in 2010, continues as a classified security consultant. 
 
His debut novel ONE ROUGH MAN was an instant New York Times and Publishers Weekly bestseller and was welcomed with rave reviews from critics, proving to the world that he is the complete package: a writer who understands how to tell a thrilling story and has more than enough on-the-ground experience to back it up. His second novel, ALL NECESSARY FORCE, is an edge-of-your-seat thrill ride that echoes with real-world scenarios. 

Brad was gracious and answers some questions about his writing for me.

Mason - You walk a fine line writing your book, keeping the story realistic without giving away classified government information. How challenging is that?

Brad - Very challenging. One thing I never want to do in my writing is harm our national security by divulging classified tactics, techniques or procedures, but I also want the manuscript to be as cutting-edge as possible. It’s a dichotomy that caused some serious rewrites on various scenes, such as when the Fort AP Hill ammunition supply point is attacked by terrorists. I did the research on that site, wrote the scene, and then realized I’d just written a blueprint on how to attack it that had a very good chance of succeeding. 

9780525952626HBecause of my knowledge of tactics, and my ability to conduct some seriously close-in research due to my military affiliation, I had crossed the line. I had to go back and throw in some red herrings. I know I’ll get dinged on that by someone with the same knowledge as me, saying, “That would never work,” but that’s the point.  

Mason - Are all the weapons and equipment mentioned in your book real, make-believe or a combination of both?

Brad - On the weapons side, they’re all very real. If it has a bullet coming out of it, it’s something currently being used by Special Operations forces. The equipment, on the other hand, is more of a combination. I have a lot of cutting-edge widgets in ALL NECESSARY FORCE, and all are either real-world, non-classified pieces of kit, or something I created, using what I knew would work given the specific circumstances. As I said above, I don’t want to—and will not—write about any classified kit that I’ve actually used.  

Luckily, I don’t have to expose classified technology to circle the square of my plot. I have a healthy appreciation of what technology can and can’t do, and simply work with that. Even so, there are only so many ways to skin the cat, and I’m constantly worried that I’ll give away a secret without meaning to. 

One widget I created in ALL NECESSARY FORCE was something I had never seen, but I knew was technologically feasible. Sure enough, a few months after I put it on the page I was doing some work for an agency, and the guy I was with pulled out my widget. It had become real, and I was now treading on classified technology without even meaning to. I had him walk me through how it worked, and was satisfied that mine was different enough that I didn’t need to pull it. I won’t say which piece of kit it is, but it’s still in ALL NECESSARY FORCE.

Mason - Why use the Vietnam War as the beginning of ALL NECESSARY FORCE?

Brad - While I was in college, preparing to go into the Army, I read everything I could find on an organization called MACV-SOG, a top-secret Special Forces unit in the Vietnam War. It’s not hyperbole to say my path in the Army was decided in a large part by what I had read about the men and missions of SOG. Many of those members went on to form the special mission unit I served in. 

After I joined Special Forces, I was a pallbearer at my grandmother’s funeral, and found out I had a cousin who was Special Forces and was killed in action in Cambodia in 1970. I never knew him—I was five when he was killed—and didn’t even know any of my family had served in Special Forces until that day. I did some research and found that not only was he in Special Forces, he had volunteered for suicidal missions with MACV-SOG, the very organization that had set me on my path.

ALL NECESSARY FORCE is dedicated to him, and the men of MACV-SOG. They are some of the bravest soldiers this country has ever produced, and I set out to pay a tribute to them, working the plot forward from Vietnam. I tried very hard to get the nuances right, including equipment, locations and terminology that was used during that conflict, doing more research for that prologue than I had for anything else and intertwining real-world history with the fiction on the page.

For instance, Congressman Ellis himself is a name I attributed to a real-world rumor that circulated within MACV-SOG during Vietnam—namely that there was a mole inside headquarters compromising missions—and Chris Hale’s actions in the prologue are based on a real-world SOG combat mission where a Special Forces soldier was posthumously presented the Medal of Honor. I hope I succeeded in getting it right.

Mason - Looking at the finished book now, is there anything else you wish you had included but didn't think of at then?  

Brad - Not really. In truth, I wish I had the ability to keep things out of a manuscript for future use, in effect keep something in reserve for upcoming writing. Typically, I end up throwing in everything that comes to mind, and completing a novel is such a long process that I rarely have any regrets about leaving something out. 

Truthfully, I wouldn’t add anything, but I might change a few things based on the current events ongoing with the Arab spring. Keeping the book timely is always a problem because the real world marches on after the manuscript is sent to press. Luckily, ALL NECESSARY FORCE is holding up well. There might be a tweak or two, but for the most part, current events have only enhanced the plot – especially in Egypt – rather than detract from it.

Mason - What message, if any, would you like readers to take away from reading your book?

Brad - First and foremost, I want them to look at the clock and say, “Dammit, it’s midnight! I need to get some sleep.” Then keep reading. If that happens, I’ve succeeded. Other than enjoying the book, I wanted to show a distinct moral component for the work that men like Pike Logan execute. Too often the characters of such novels or movies run around killing or torturing people without a shred of remorse, when that’s not really the case. 

A lot of time, effort, and thought go into counter-terrorist activities in the real world, and the men and woman who execute them operate within a moral framework. They make decisions with life or death repercussions, and live with those decisions. They aren’t robots. I wanted to show that through the interactions between Pike—an operator experienced with combat—and Jennifer—a relative newcomer to what combat actually entails.

Mason - What can fans expect next from you?  

Brad - I took a step back with the third book, leaving behind the global nature of al Qaida and other Islamic groups, focusing instead on terrorist organizations with finite political goals. Too often we, as Americans, lump all “terrorists” together, when in fact, they have very different goals and capabilities. Like the quote says, one man’s terrorist is definitely another man’s freedom fighter. 

book coverI chose to write about Hezbollah, Hamas, and the intractable Palestinian Diaspora problem vis-à-vis Israel. Probably not very smart, considering what’s going on with the Arab Spring (yes, I’ve already had to do a ton of re-writes based on events in Syria), but it is interesting. I’ve also brought back Lucas Kane. I’ve gotten a ton of emails from folks who read ONE ROUGH MAN and couldn’t wait to see what happens to him in my “next book,” but he’s not in ALL NECESSARY FORCE. 

A great many people insinuated that I let him go in ONE ROUGH MAN simply to set up ALL NECESSARY FORCE, but in reality, I simply wrote his escape because I thought it was poetic justice for Standish. I never meant for that to be some sort of “hook.” I now realize that I made a mistake in letting him go. What he did to Pike’s family required a revisit. Everyone wanted him to get a little Taskforce justice, so I brought him back. Book three ended up revolving around him, like Darth Vader from Star Wars, and make no mistake, he gets some justice.  

Brad, thanks for guest blogging. It’s intriguing to hear about your background and how it’s hard keeping things out of your writing.

Brad will be appearing at 2 books signings in North Carolina this week. If you’re in either of these areas, be sure to drop by the signing.
* Friday, Feb. 3, 7 P.M.
Fayetteville Barnes & Noble
121 Glensford Rd, Fayetteville, NC
* Saturday, Feb. 4, 1 P.M.
Costco (Signing Only)
2838 Wake Forest Rd, Raleigh, NC

Now a little background on Brad. He was born on Okinawa, Japan, but grew up on 40-acres in rural Texas. Graduating from the University of Texas, he was commissioned as a second lieutenant in the U.S. Army Infantry. Brad served for more than 21 years, retiring as a Special Forces Lieutenant Colonel.  

His final assignment was as the Assistant Professor of Military Science at The Citadel in Charleston, SC.  He holds a Master’s of Science in Defense Analysis from the Naval Postgraduate School, with a concentration in Irregular Warfare. When not writing, he serves as a security consultant on asymmetric threats for various agencies. He lives in Charleston, SC with his wife and two daughters. 

For more on Brad and his writing, visit his website at www.bradtaylorbooks.com.

Do you enjoy books that deal with war or the theft of war? Does it make reading more enjoyable if you know the technology used is real or at least partially real? Thanks so much for stopping by today.
 

Thursday, February 17, 2011

Author Brad Taylor & A Book Signing

Photo by Rod Pasibe
It’s my pleasure to welcome author Brad Taylor as the special guest blogger today at Thoughts in Progress as his book is released.

Brad’s book, ONE ROUGH MAN, has a level of authenticity unrivaled in thriller fiction and that’s because of him. Lieutenant Colonel (ret.) Brad Taylor has firsthand knowledge of cutting edge counter-terrorism strategies because of his experience in combat operations from more than 20 years in the U.S. Army Infantry and Special Forces.

Library Journal raves, “[Taylor] brings such incredible realism and authenticity that readers feel like they are looking over the shoulders of a real antiterrorist operation.”

To say that this is going to be an exciting series is an understatement. Brad’s unique military experience makes it hard to determine what is fact and what is fiction, and his writing keeps readers turning the pages. 

There’s an added bonus for those readers of this blog that are in the Atlanta, GA, area - Brad will be at a book signing on Sunday, Feb. 27, at the Eagle Eye Book Shop located at 2076 N. Decatur Road in Decatur, GA, beginning at 2 p.m. For more about the signing, contact the Eagle Eye Book Shop at (404) 486-0307 or visit their website at www.eagleeyebooks.com .

Brad stops by today to discuss his thorough research methods – including personal interviews and location scouting, such as with the Atlanta airport escape scene.

Ask twenty different authors what they think about the relative importance of research for a novel, and you’ll get twenty different opinions. On one side of the scale, some will say it’s irrelevant and that people read for good writing, not good research, and that water-tight research will never overcome bad writing. 

I’m on the other side of the scale. Yes, the writing comes first, but nailing the details only adds to the effect. There is no downside. Not bothering to conduct rudimentary research into the subject matter, in my mind, is insulting to the reader. It smacks of laziness, especially if the reader has some grasp of the subject. In fact, as a reader I can only get so far in a book if the information blatantly conflicts with the facts that I know. I’m not asking anyone to be an expert, but at least show me you can find Wikipedia. Or buy a Guns and Ammo magazine. I’ll forgive almost anything if the author shows me he tried.

Because of this, I’m rabid about research.  The knowledge base I gained from my previous career is absolutely essential as a starting point, but I don’t have an encyclopedic memory. Suffice it to say, I have to do an enormous amount of fact checking, from something as minute as how long a certain flight would take and the time-zones involved to whether a particular weapon fires from the open-bolt position. Invariably, whenever I try to wing it based on my memory and experiences alone, I find out I’m wrong. I’ve learned to fact-check just about everything. Luckily, if I can’t find the answer on my own, odds are very good that I know someone who can.

There is a trap with this, and I’ve fallen into it more times than I can count, and that is you want to show off the research you’ve done, babbling on about interesting but irrelevant tidbits, with the plot suffering as a result. I’ve just come to understand that out of all the research I do, only about two percent will make it into the book. Especially when talking about locations.


I’m a little bit of a perfectionist when it comes to real-world
settings, and I research them relentlessly. I’ve traveled all over the world, which is a good thing when I want to describe a setting, but make no mistake; I have to really study locations to get them right. For example, I’ve been to both Central and South America, but I have never been to Guatemala or Belize, major settings in ONE ROUGH MAN. I had to research both forever, and ultimately didn’t use 99% of what I found, and in the end I’m sure that someone who’s actually spent some time there will find flaws. I’m okay with that, because I gave it my best shot. 

When I have the ability to do first-hand research, I do so. The Atlanta airport scene is a pretty good example of that. Basically, Jennifer and Pike get stopped at customs and have to break out of the secondary interrogation facility. I tried to write how they would evade capture, and escape what’s become one of the most secure areas since 9/11, using my own recollection of the airport. When I was done, I realized that I really didn’t know enough about the security of the airport, and that the way I had written it was a little hokey. I have been through that airport probably 500 times, but I’d never looked at the security from an evasion standpoint. One thing I was convinced of, though, was they weren’t going to escape by using normal passenger corridors. I called up some pilot friends of mine and proposed a simple question: how can I get out of the Atlanta airport without going the usual passenger route? They gave me the breakdown of what crew members do, to include locations of employee lounges and employee bus routes. From there, I simply flew to the airport and retraced Pike and Jennifer’s steps from customs, noting the security in place such as cameras, alarms, and checkpoints. After casing the place it was pretty easy to figure out how they could do it. 

Since I’m not independently wealthy, I couldn’t afford to do what I did with the Atlanta scene for the scenes in Bosnia, Oslo, or Guatemala. In those cases, I had to rely on the internet, my memory and friends with specialized knowledge. There’s a military phrase called Open Source Intelligence, which basically means, “read the paper and see what you can find out.” In today’s times, that means the internet, and it’s amazing what’s out there, from airport databases and flikr, to Google Earth and 360cities. Surprisingly, my favorite source is a blog from backpacking college students. Those folks go everywhere, and talk about everything from security at border crossings to the best way to get a taxi, complete with pictures. Suffice to say, just about anything can be found if one looks hard enough.

For instance, I’ve been inside the White House situation room – once – but I’m certainly not well versed on the White House floor plan, something I needed to be if Kurt was going to keep seeing the president. Obviously, getting in and stomping around the president’s personal space was problematic. Luckily, there’s an entire website dedicated to the history of the White House, complete with the floor plan through the years and photos.

I try to do that with any scene I write, but I’ll be honest, if I need something, I’ll create it. For instance, the Four Courts pub where Pike is ambushed is a real location in Clarendon, Virginia. The streets around it are accurate, as are the Metro stops to get there. I cased that area as well, trying to figure out how I would ambush Pike (and get a Guinness at the pub). I planned the ambush realistically, but added an alley to the left of the pub. It doesn’t exist in real life, but it does in my book. I know that sounds hypocritical, but I did this because in the end the writing does come first. The alley was critical to the story. 

I’ll fake things for reasons other than the story as well. Writers without my background can guess how widget X works, and if they get it right everyone wonders how they got the information. My problem is the opposite: I do know how things work, and most of that knowledge is classified, so I have to spend a lot of time tempering what I know when I write, even if it seems mundane. For instance, I’m currently working on a scene for book two where terrorists attack an Army Ammunition Supply Point. I traveled to and studied the ASP, then simply wrote how I would hit it to get to the ammunition inside. After I was done, I read it and thought, “What the hell are you doing? You’ve just written a blueprint on how to attack a U.S. Federal facility!” My insider knowledge, coupled with my tactical skill set, had made it too real. I had to go back and throw in some red herrings. I know I’ll get dinged on that by someone with the same knowledge as me, saying, “That would never work,” but that’s the point. 


In the end, I fall on the “research” bandwagon, although I realize there’s no way I’m going to be perfect. Mistakes will happen, no matter how much research I do, and I want to kick myself when that occurs, but it’s just the way of writing. Pike steals a Chevy Cutlass in Guatemala City to escape, and after all of the research on the city itself, I’m told by an advanced copy reader – after I’d blessed the final manuscript – that Chevrolet didn’t make the Cutlass. Oldsmobile did. 

Mistakes like that don’t make me throw my hands up at the futility of it all, because I owe it to the reader. My cut-line on real versus make-believe is the story itself. If you make something up for the purposes of the plot, knowing it’s wrong, and it makes the story stronger, then you’ve enhanced the enjoyment of the reader. On the other hand, using the story as an excuse for a lack of research is really just a shortcut – and the reader will know it. Maybe not all readers will care, but even if only one does, you’ve failed.


Brad, thanks so much for guest blogging here today. Research does add another layer to the story. From a reader’s viewpoint, I appreciate when an author has gone that extra step to do research for their book. It means to me they care.


For more on Brad and his writing, check out his website at www.bradtaylorbooks.com 

What are your thoughts on research? Do you think readers pay more attention to details than they once did?

REMEMBER -- if you live in the Atlanta area you can meet Brad on Feb. 27 at his book signing. Tell him you heard about it here!