Edgar Award-winning author Megan Abbott joins us today to talk about her recently released novel, YOU WILL KNOW ME (July 26th; Little, Brown & Company; Hardcover; $26).
It’s a delight to have Megan here today as she answers some questions about her writing. In addition, thanks to Megan and the lovely Meg at TandemLiterary, I have a copy of YOU WILL KNOW ME to giveaway. Please see the end of the post for more details.
With starred reviews from all four of the trades and early raves from Paula Hawkins, Mary Kubica, and Laura Lippman, YOU WILL KNOW ME is poised to be one of the most talked-about books of the summer. With a plot set in the uber-competitive, high stakes world of elite gymnastics, this book could not be better timed as the Olympics are about to kick off in Rio.
With YOU WILL KNOW ME, Megan directs her focus on the mother of an extraordinary teenage girl, and shows us, yet again, that the unseen lives of women are often more fraught, ferocious, and conflicted than we might have previously dared imagine. You’ll immediately be drawn into the dark, fascinating world Megan has so beautifully crafted. No other author brings to sparkling life this phenomenon of families with high-achievers and what the rise of female athletes might say, more largely, about the nature—and spectacle—of female ambition.
The audacious new novel about family and ambition from “one of the best living mystery writers” (Grantland) and bestselling, award-winning author of The Fever, Megan Abbott.
How far will you go to achieve a dream? That’s the question a celebrated coach poses to Katie and Eric Knox after he sees their daughter Devon, a gymnastics prodigy and Olympic hopeful, compete. For the Knoxes there are no limits — until a violent death rocks their close-knit gymnastics community and everything they have worked so hard for is suddenly at risk.
As rumors swirl among the other parents, Katie tries frantically to hold her family together while also finding herself irresistibly drawn to the crime itself. What she uncovers — about her daughter’s fears, her own marriage, and herself — forces Katie to consider whether there’s any price she isn’t willing to pay to achieve Devon’s dream.
From a writer with “exceptional gifts for making nerves jangle and skin crawl” (Janet Maslin), YOU WILL KNOW ME is a breathless rollercoaster of a novel about the desperate limits of parental sacrifice, furtive desire, and the staggering force of ambition.
Please join me in giving a warm welcome to Megan as she talks about her latest book and her writing. Welcome, Megan.
What was the inspiration for You Will Know Me?
I’ve always been interested in families of prodigies. How power operates in those families, how ambition does. Then, during the London Olympics four years ago, I saw this video of the parents of American gymnast Aly Raisman watching their daughter’s uneven bar routine and it kind of blew me away. They were so invested in it, so connected to her. They moved as she moved. They knew every beat of the performance. The footage went viral and the response to it was tricky. Some people found it funny, others found it problematic and there was some finger pointing. I think we all struggle with how invested parents should be in their children’s development, but with exceptionally talented children, all that is thrown into high relief.
I could just feel the book taking shape after that. How does that kind of intense focus on a child’s talent affect a marriage, for instance? What about siblings? And families in general fascinate me—the place of the greatest darkness and the greatest light.
You are known for writing shockingly accurate portrayals of teen angst and an uncanny ability to get inside the heads of teen girls. Why are you so drawn to this subject matter?
In some ways because teen girls are still so often dismissed or condescended to. But every woman I know is haunted in some ways by their teen years, by the choices they made then and the way they crafted their identity and developed their sense of self.
And, as a writer, it’s such rich terrain. Everything is in such high relief during those years. All the big emotions of life seem to storm through us every day. When I remember myself at that age, it was like my nerve endings were all exposed. It’s when you’re both at your most curious (and, potentially, risk-taking) and also at your most vulnerable—especially to disillusionment. And when you’re a mom, like the main character in You Will Know Me, you’re in some ways living through it all again through your daughter, which is incredibly complicated.
YOU WILL KNOW ME is a bit of a departure in that it focuses more on the parents’ perspective. Why did you choose to shift gears in this way?
My last book, The Fever, had three viewpoints, one of whom was the father of two teens, and I really loved it. Exploring the gap between how parents view their teens and how teens view themselves, and vice versa. But it seemed thrillingly different in the case of You Will Know Me. Katie, the protagonist, is so close to her daughter, Devon, because of the way the family has circled itself around Devon’s extraordinary talent. And that closeness fascinates me.
At what point does your child become a stranger to you? Because all children need to break apart from you to become themselves, but is it slower to happen in the case of a prodigy? A case when the parent, like Katie, is so tied up in her daughter’s everyday life?
What research did you do into the world of uber-competitive youth gymnastics when writing YOU WILL KNOW ME?
Gymnast memoirs were a huge help. I read almost every one I could get my hands on. Both the flag-waving sports ones and the tougher ones too, the exposés. The one that had the biggest impact for me was Nadia Comaneci’s Letters to a Young Gymnast, which is a brilliant book on many levels (foremost her strong voice), and is such a keen distillation of what seems a pure, fire-hardened ambition. I also talked to former gymnasts and had one of them read the manuscript.
And, I confess, watching a lot of YouTube, and diving into online chat rooms, especially those devoted to parents of gymnasts. But the book’s title comes from Nadia, who tells her reader, “I don’t know you, but you will know me.” What could be more enticing to a reader?
What did you learn about this world that surprised you?
Everything! I became very fixated on the mental control and struggles the gymnasts faced. How much it is a head game. And then the sport’s impact on girls’ developing bodies. It is not a universal experience, but for many girls it halts their adolescence in certain ways, or it threatens to, and this prospect fascinated me and worked its way into the novel. Your body is both your greatest gift and your worst enemy. Maybe we all feel that, in a way.
Have any gymnasts or parents of youth athletes read and responded to YOU WILL KNOW ME yet?
I’ve had a few early gymnast readers who’ve been very supportive. In particular, they’ve responded to the parent-booster culture in the book, the way parents invest in a gym and insert themselves into gym politics. The hothouse environment that the parent viewing area can take on. Or, “gym drama,” as it’s called. Which seems to have all the hallmarks of a great reality TV show, or a Shakespearean play.
After being so close to this world while researching and writing YOU WILL KNOW ME, will you view the Olympics in Rio this year through a different lens?
I love watching gymnastics and this book reflects a love of, and immense respect for, the sport and the art. But in the end, I think the book is more about family and parent love than gymnastics, so probably my eyes will be more on the families than in past years. More on what it takes for a family to help make an Olympic medalist.
You’re working on TV scripts for your novels DARE ME (for HBO) and THE FEVER (for TNT). What is it like to adapt your own work for the small screen?
As much as people like to say that TV is the new novel, the two are so very different. By the time you sell it, it’s changed so much from the book—the world has gotten so much larger, you’ve had to create ways to make the story possibilities expand indefinitely—you lose all vanity about your own book. Instead, it’s something entirely new. But the biggest difference is how collaborative it is. Writing a novel, until the last stretch, is utterly solitary. Writing for TV is a cacophony of voices. Sometimes noisy, but never, ever lonely!
You recently joined the writing staff of David Simon’s (“The Wire”) new HBO drama “The Deuce.” How does that work differ from writing a novel? How did your career in fiction inform your work in the writers’ room? When can we see “The Deuce?”
Different in every way. I’d say apples and oranges, but maybe it’s more like apples and a large, cunning mountain lion! As collaborative as developing your work for TV is, being on staff for a show in production is a thousand times more so. You’re there to help in every way you can to bring the showrunners’ ideas to life. I think there are so many crime novelists writing for TV now because we bring a certain facility with plotting, but in the end what’s most exciting in the writers’ room is how different everyone is, how differently we see the world, and yet how we all value the same things: character, story, meaning.
And “The Deuce,” which stars James Franco and Maggie Gyllenhaal, will be on HBO next year. I’ve seen the pilot, and it’s incredible.
Do you have time to work on another book with all of your TV project in the works? What’s next and when from Megan Abbott?
Somehow, I do! I have a new novel in the works called Give Me Your Hand, which will come out in 2018, I think. It’s about two ambitious female scientists who share a secret from their past. Very Hitchcock-inspired, this one.
Megan, thanks for joining us and sharing this insight into your book. You are definitely one busy lady.
|Author Megan Abbott|
Her writing has appeared in the New York Times, Salon, the Guardian, Wall Street Journal, the Los Angeles Times Magazine, The Believer and the Los Angeles Review of Books.
Born in the Detroit area, she graduated from the University of Michigan and received her Ph.D. in English and American literature from New York University. She has taught at NYU, the State University of New York and the New School University. In 2013-14, she served as the John Grisham Writer in Residence at Ole Miss.
She is also the author of a nonfiction book, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir, and the editor of A Hell of a Woman, an anthology of female crime fiction. She has been nominated for many awards, including three Edgar® Awards, Hammett Prize, the Shirley Jackson Prize, the Los Angeles Times Book Prize and the Folio Prize.
Advance praise for YOU WILL KNOW ME:
“Almost unbearably tense, chilling and addictive, YOU WILL KNOW ME deftly transports the reader to the hyper-competitive arena of gymnastics where the dreams and aspirations of not just families but entire communities rest on the slender shoulders of one teenage girl. Exceptional.” — Paula Hawkins, author of the #1 bestseller The Girl on the Train
“Abbott has a knack for dissecting the dark, beating heart of the most all-American activity...It’s vivid, troubling, and powerful—and Abbott totally sticks the landing.” — Booklist, STARRED Review
“Abbott proves herself a master of fingernails-digging- into-your-palms suspense.” – Kirkus, STARRED Review
“In true Abbott style, nothing is predictable here; the plot consistently confounds expectations with its clever twists and turns. Admirers of Patricia Highsmith, Laura Lippman, and Kimberly Pauley are in for a treat.” — Library Journal, STARRED Review
“Thriller Award-winner Abbott (The Fever) takes a piercing look at what one family will sacrifice in the name of making their daughter a champion...Abbott keenly examines the pressures put on girls’ bodies and the fierce, often misguided love parents have for their children.” —Publishers Weekly, STARRED Boxed Review
YOU WILL KNOW ME Tour Dates:
8/1: Brookline Booksmith, Boston, MA—7:00pm
8/2: Book People, Austin, TX—7:00pm
8/3: Murder by the Book, Houston, TX –6:30pm
8/4: Square Books, Oxford, MS—5:00pm
8/9: Book Passage Corte, Madera, CA—1:00pm
8/9: Books Inc. Opera Plaza, San Francisco, CA – 7:00pm
8/10: Book Carnival, Orange, CA—7:30pm
8/11: Skylight Books, Los Angeles, CA—7:30pm
8/20: Mississippi Book Festival, Jackson, MS
9/15-9/18: Bouchercon 2016, New Orleans, LA
Thanks to Megan and Meg at Tandem Literary, I have a copy of YOU WILL KNOW ME to giveaway. The giveaway is open to residents of the U.S. only and will end at 12 a.m. (EST) on Tuesday, Aug. 9.
To enter the giveaway, just click on the Rafflecopter widget below and follow the instructions. The widget may take a few seconds to load so please be patient. A winner will be selected by the Rafflecopter widget and I’ll send an email with the subject line “Thoughts in Progress Giveaway.” The winner will have 72 hours to reply to the email or another winner will be selected. PLEASE be sure to check your spam folder from time to time after the giveaway ends to make sure the notification email doesn’t end up there. If you win and you’ve already won the book somewhere else or you just decided for whatever reason you don’t want to win (which is fine), once again PLEASE let me know.
Thanks so much for stopping by today. How far would you go to achieve a dream or the dream of your child? Do you think parents of young athletes sometimes push their children too much?